
Studio Advertising Photography: Board Game Counters
Advertising photography for a workplace development company. A single counter used to represent one individual — part of a full-day studio campaign about people, learning and workplace engagement.
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Advertising photography for a workplace development company. A single counter used to represent one individual — part of a full-day studio campaign about people, learning and workplace engagement.

Rolls-Royce and Bentley bonnets, shot to reflect the quality synonymous with both marques. The images were incorporated into logo design — so the photography had to hold up at very small scale as well as large.

Commissioned by a specialist packaging manufacturer to demonstrate the calibre of their client base. Differential focus and controlled dramatic lighting communicate both the technical precision of the packaging and the premium brands it serves.

Commissioned for packaging and point-of-sale in major electrical retail outlets. A ‘model family’ brief — with images scaled up to life-size — requiring precise composition and a natural, unforced feel throughout.

Part of a series for an automotive advertising campaign. Clean highlights, controlled reflections — the brief was simple: make it desirable. Every lighting decision served that one goal.

The brief: elevate an industrial product by association. Shot alongside a precision timepiece, the juxtaposition positions the client’s product where it belongs — at the quality end of its market.

Shot for a London-based independent brewery as part of a broader campaign. The brief: accurate colour rendering and genuine appetite appeal. Images deployed across campaign material and the brewery’s website.

The brief: make a bedroom set look real — not staged. Propping and lighting created a lived-in feel while keeping everything print-ready. The kind of shot that sells the dream without showing the effort.

The brief was to showcase the high-gloss finish of a fitted wardrobe range. An undressed room kept the focus on the doors; lighting did the rest — making reflections work for the product rather than against it.