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Food photography for a national food selection catalogue — a dish shot for pub and restaurant buyers across the UK. The brief was to show quality and protein content clearly; the lighting was critical to making the meat read well in print and on screen.
Commercial food photography for a leading food retailer — a precooked jacket potato with chilli prawn filling, shot to make the ingredients look appetising and readable at catalogue scale. Detail in the filling and texture in the potato skin were both essential to the brief.
Shot for a London-based independent brewery as part of a broader campaign. The brief: accurate colour rendering and genuine appetite appeal. Images deployed across campaign material and the brewery’s website.
Food photography of a lemon tart — the brief was simple: make it look inviting. Close framing and careful lighting brought out the texture of the pastry and the shine of the filling in a shot designed to make the viewer want a slice.
Part of a seafood series — clean backgrounds, simple lighting, and a sharp focus on texture. The brief was straightforward: make it look good enough to eat.
A personal project — a lychee shot for its own sake, exploring form, colour and translucency. The kind of image that comes from curiosity rather than a client brief, and often produces the most interesting results.
The brief: make a bedroom set look real — not staged. Propping and lighting created a lived-in feel while keeping everything print-ready. The kind of shot that sells the dream without showing the effort.
The brief was to showcase the high-gloss finish of a fitted wardrobe range. An undressed room kept the focus on the doors; lighting did the rest — making reflections work for the product rather than against it.
Lifestyle photography for a bathroom set designed to feel period, simple and elegant. Props were chosen to reinforce the mood; the lighting keeps the focus on the bath and gives the scene a calm, unhurried quality.